
Its unsheathed that Findley realizes hes dealing with intractable material because he camouflages the fiction of his twaddle by pretending that the novel is a species of historical document, taking as its subject the life of Robert Ross, piecing it together from record interviews, press-cuttings from the archives, old photographs, diaries, and the like. This technique enables Findley to intersperse his fictional account with pallid and telling statistics about the war itself, though, in fact, the greater leave of the book is a conventional third-person narrative, a novel, telling the story of its central character more or less squarely as countless novels have done and will no doubt continue to do. But does the story of Robert Ross match, or add to, or make even more dire, the tragedy of which he is a tiny (though not necessarily insignificant) part? At best, it seems to only fitfully: theres frequently such a sense of... If you want to get a full essay, order it on our website: Ordercustompaper.com
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