Romantic Heroes Werther & Pechorin

He has already seen this in the way Gruzhinsky cannot wait to rid himself of his soldier's uniform in esteem of an officer's. Such a superficial society alienates and repulses Pechorin's romanticized view of homosexuals existence. Such thinking makes him unable to develop long-term relations with another human being, even superstar he admires standardized Princes Logovskoi. Thus, Pechorin is only too happy to avenge the honor of the Princess, knowing he would quite an die fighting for a romantic ideal and value than living in such a superficially valued world.

Young Werther's romantic notions are kind of different. Werther is a bit more than(prenominal) self-absorbed than Pechorin because of his y step uph. This only makes him more idealistic than Pechorin and subsequently more disappointed when his illusions turn out to be in contrast to reality. Werther's passage depicts him as individual who has lost his ability to feel. This is obviously nonsense with such a young man as Werther, but it displays Werther's rather egocentric form of romantic heroism that stands in contrast to Pechorin's rather

selfless(prenominal) form of it. Werther's imposition and sorrow stem more from his knowledge that all human beings suffer and he is no different. Werther thought his feelings for Charlotte were special, that their love was special.

He discovers he has only begun to suffer compared to others who have loved greatly and been unrequited in that love. Werther's sorrow and grief are less informed than Pechorin's. Pechorin's comes from a mature perspective on life, one that recognizes the limitations of human existence and togetherness only too well. Werther, in contrast, suffers from the youthful, first-time recognition that many of his romantic ideals are merely illusions when compared to reality. As Werther laments, "I suffer much, for I have lost the only juggle of life: that active, sacred power which created worlds around me?it is no more" (Goethe 95).

Lermontov, M. A Hero of Our Time, New York, NY: Signet Classics, 1962.

The passages analyzed herein accurately describe the characters throughout their respective story. I find that Werther's photograph in this passage is a bit more comprehend than the one of Pechori
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