Louise Mallard is subject to assorted sorts of oppression in the story, namely her fleeting health and the universal male repression she faces. From the very beginning of the story, Louise is pegged as weak and in need of chivalric protection by Richards. He goes as far as hasten[ing] to forestall any slight careful, less tender friend in bearing the sad put across of Brentlys death, out of fear that it might be similarly much for Louises frail heart to handle. Brently, though he had never looked save with love upon her, dominated Louises purport and will and left her face with lines [that] bespoke repression.
It is only afterwards the death of Brently that Louise saw…a long procession of eld to come that would belong to her absolutely, but despite the very obvious joy this brings to Louise, she recognises that its her social duty to remain fast(prenominal) to her husband even in death, and [strives] to beat [the feeling] back with her will.
Moreover, Louise isnt referred to by her first name until the end of the story; shes simply referred to as Mrs. Mallard, which exemplifies the status of wives, and indeed all women, of the 19th century in that they are effectively the property of men. most immediately after Louise learns of her husbands demise, she sees that the trees outside her shoes were all aquiver with the new spring life, undoubtedly a fiction for her newfound independence and freedom to do with her life what she wants, and non what her husband demands of her.
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