Albert , Sidney. Bernard Shaw : The Artist as Philosopher The Journal ofAesthetics and Art Criticism , 14 :4 (1956 , 419-438In Bernard Shaw : The Artist as Philosopher Sidney Albert s main point is as follows : that Shaw consciously and proudly donned the mantle of the philosophical poet , singing to philosophers and uptight philosophers from his dramatic scores (419 . This is primarily supported through his foresight psychology of the character of Don Juan , who speaks on everything from life and honey to , of lean , local politics . A major office staff of the cope for Albert involves how much Shaw has to sacrifice some of the philosophy for maneuver - subsequently all , the man is writing a animate and not a philosophical screed , so some things mustiness be sacrificed for others to flourishUltimately , Albert concl udes that as artist , Shaw set out to represent and demo in his dramas both the frailty of men and the failings of conjunction which stymie human development and that he went on to aim to us that we have great potentialities , and a pressing fill , for returns (437 . In this sense , the art versus philosophy debate takes on a meta-textual dimension , as the image of Shaw as fallible philosopher represents the idea that his philosophy needs to be perfected , as does the men for whom the philosophy is intended . In this sense , Albert s name and address renders the debate mostly moot - it is not a departure of art contending philosophy , but art serving as a medium for philosophy . It is...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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