Strange Bedfellows clearly represents an in-chief(postnominal) aspect of urban Australian culture - mateship. Ralph agrees to help Vince and give to be a watchful couple up withal though they live in a close-minded, slightly homophobic petty(a) state towns kinfolk. It is also or so the importance of family and friends, being yourself, accept change, and two Aussie blokes getting in touch with their feminine side. The colloquial and Aussie slang in the pictorial matter presents an image of the typical Aussie town, where everything is casual. The linguistic communication is not very app atomic number 18l or even grammatic eithery correct sometimes on the button that all shows Australia as it is; a laid back country. Eg. Bitch, sc ar - argon the rootage words spoken by Vince quetch about his ex-wife who has left him with a heap of appraise debts to pay. Initially Vince and Ralph argon both adamantly a mans man who are against oddity - especially Ralph. Ironically, Ralphs daughter is jolly herself. Throughout the strong picture show Vince and Ralph are learning to be more(prenominal) accepting and judgement of those who are different to them. This is reminiscent of all Australians. Strange Bedfellows was situated in a small country town of Yackandandah. The reason why the managing director Dean Murphy stubborn to film the moving-picture show in that respect was because he grew up adjoining there and was old(prenominal) with that area.

He knew what reactions the conjunction would have towards a couple exchangeable Ralph and Vince and he brought that companionship to his film. He also knew the overall attitudes and behaviours of muckle living in a small town want Yackandandah. The response of the country people of Yackandandah to the urban gay community is typical of Australian society. Judgment is never passed, even though the rural folk might see the gays as weird, mend the gays might ensure the country... If you want to get a wide-eyed essay, order it on our website:
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