William Blake The chimney sweeper The Chimney Sweeper is set against the dark backcloth of child labour that was salient in England in the easily 18th and 19th Century. It gives hints into Blakes thoughts, both(prenominal) pessimistic and optimistic, on the swelled male close to him and in the last stanza in position that worlds kinship with god. Curiously, the metrical account insinuates that done work we whitethorn find redemption, which seems to belie the main(prenominal) thrust of the poesy. When Blake himself was unripe he claimed to have seen visions of deity and angels and we net see this very precise imagery in the Chimney Sweeper. Blake seems to be struggling himself with his spectral ideas. The contradiction among his belief in God and the world around him shines through in this song. Blake puts a bold and raging footstep in his first-class honours degree condemn when my mother died and in plus my founder sold me get along showing Blakes need to exercise let on the trouble and suffering of the children and sweepers during this period of fourth dimension. The poem goes at a portentous pace, a curious selection for a poem this somber. It does yet give the impression that the poem is written by a child, or at to the lowest degree an adult who had the cause that turkey cock went through.
Evidence of this can be seen in Blakes cornerstone of the first person when Tom receives the advice to the highest degree his hair. The adding of the dream of Tom adds much mystery and intrigue with the macrocosm of the Angel and God to stock-take the plight of the young sweepers during the 1700s. During the sweepers time many were very young which Blake describes in the line And my drive sold me art object lens yet my tongue could scarcely cry weep! weep! weep! weep! These two... If you want to engender a full essay, rove it on our website:
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