Generally, the title of a work of literature exposes the principal fancy that the author is trying to convey. Other compositions reveal the significance of their name only gradually. In The methamphetamine Menagerie by Tennessee Williams, the innovation of the plays label is shown through the writers use of contrast, repeat, allusion, and point of view.
First, Williams illustrates the polarity betwixt Lauras relationship with her delicate animal collection and the real world. Laura Wingfield, wiz of the main characters of the literary drama, is an unconfident and extremely timid individual who lives in a society where financial and emotional stability is a rare commodity. While everyone else is trying to make some mixture of difference to better their life or career, Laura stays safely fall out of the grasp of reality. When enrolled in a business class, she drops out because she becomes visiblely sick in having to confront others. The twenty-three form old girl withdraws from the changing environment and people nigh her because she believes they will exhibit animosity towards her due to a physical defect. Instead, she sits at home, lovingly taking care of her assortment of toy dog statues to pass the day. Tom Wingfield, her brother, says of her, She lives in a world of her own, a world of glass ornaments....
Next, a great deal of repetition concerning emotion and daily routine is apparent in The Glass Menagerie. Amanda Wingfield, Laura and Toms mother, reverently reminisces about the days of her youth in the south. She recollects memories of her abundant servants, extravagant home, lavish clothes, and numerous gentleman callers. She speaks in an almost wistful tone that tells of her yearning for the days of yore. She mentions her old age of juvenility so often that it is as if she is not unfeignedly living...
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