Modernism

Modernism, as a name is defined by the posture of the observer. In the perspective of the historian, Modernism began with the Renaissance, when a flurry of brand-new philosophical speculation and societal changes brought about a way of thinking that wide-ranging greatly from the previous Greco-Roman standards of being, thinking and living.

In the perspective of the art historian however, Modernism is a term which describes a particular movement in the arts which began in the 1860s and extended through the 1970s, in which artists strove for a better taste and progression from a humanist standpoint through variant new artistic strategies.

To observe the results of this new Modernist approach on art in a chronological order is to be able to identify a assort of symbolic dateline of events. Since art is the extract of keep and life the extract of art, one can see a confusable worldwide artistic movement unlike any seen in any previous generation. As technology and economics began to want the shape of what they represent today, life began to come up considerably to a greater extent and more complex and confusing. Cities grew, and with them grew the gradual dislocation of society.

Edouard Manet, the French painter, was the first nineteenth century artist to approach modern-life subjects, he was a pivotal figure in the transition from


org/wiki/Realism_(arts)>realism to Impressionism.

(Olympia is an oil on canvas painting in the Realism style. Painted in 1863, it measures 130.5 x 190 cm)

A painting of a nude sculpture woman, a maid and a cat changed the way of art, class and modernity in 1865. It was a time of order moral, a time when bourgeoisie and primness dominated high eyebrow culture. Edouard Manet rebelled against this by rattling the world with his painting of Olympia. Since its unveiling,

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